“…Hyperion’s curls; the front of Jove himself; an eye like Mars, to threaten and command … A combination and a form indeed where every god did seem to set his seal to give the world assurance of a man.” – Prince Hamlet, act three, scene four
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Benson’s 1640 Edition of Poems with Sonnets out of order (and merged to form longer poems) so that the Monument to Southampton as an unacknowledged royal prince is disguised — with a few pronouns changed from masculine to feminine … an extension of the Folio effort to steer “Shakespeare” away from the Court and from the true author’s connection to Queen Elizabeth and her Tudor heir to the English throne
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